Famous quotes

Famous quotes

"Life has no limitations, except the ones you make."

Monday, July 24, 2023

The Haunting of Violet's Doll

In a quaint little town nestled amidst the thick woods, there stood an old mansion that bore a dark history. For generations, the estate had been owned by the Vandermere family. It was said that the mansion was haunted, and the villagers believed that the spirits of the deceased Vandermere ancestors still roamed its halls.


One stormy evening, as lightning cracked across the sky, a young girl named Violet found herself standing before the mansion's heavy, creaking door. She was an orphan, with no family to call her own. But the rumor of an old doll hidden within the mansion's walls had reached her ears, and it was said that this doll had the power to grant any wish. Desperate to have a family again, Violet mustered her courage and decided to enter the mansion, seeking the doll that could change her life.


With trembling hands, she pushed open the door, and an eerie silence greeted her. The mansion was filled with cobwebs and dust, and every step she took echoed through the empty halls. As Violet wandered deeper into the mansion's heart, a feeling of unease began to wash over her. But she pressed on, determined to find the mysterious doll.


Finally, she stumbled upon a room filled with old toys and relics of the past. Among the discarded playthings, she found a chest hidden in a corner. Inside lay an exquisite doll, her eyes a mesmerizing shade of blue and her porcelain face displaying an innocent smile. This must be the legendary doll, Violet thought, and her heart filled with hope.


As she held the doll in her arms, she felt an odd warmth radiating from it. Little did she know that this warmth was not one of comfort but of something sinister lurking within the doll. Ignoring her unease, she clutched the doll tightly and made her wish – to have a loving family once again.


No sooner had she uttered those words than the storm outside intensified, and the mansion's walls seemed to close in around her. The doll's eyes began to glow with an eerie light, and a chilling wind swept through the room. Violet's wish had awakened an ancient curse that lay dormant within the doll for years.


As she tried to escape the room, the door slammed shut, trapping her inside. Panic set in as she realized she was not alone. Flickering shadows danced on the walls, and eerie laughter echoed through the room. The spirits of the Vandermere ancestors had been disturbed by her wish, and they were not pleased.


In the days that followed, strange occurrences plagued Violet. The doll seemed to move on its own, changing positions whenever she turned her back. She would hear faint whispers in the dead of night, and her dreams were plagued with visions of ghostly figures. The mansion itself seemed to come alive, with doors slamming shut and furniture rearranging itself.


But the worst was yet to come. One night, Violet awoke to find the doll sitting at the edge of her bed, its eyes glowing fiercely. Before she could react, it lunged at her, its porcelain hands gripping her throat tightly. She gasped for breath, struggling to free herself from the doll's relentless grasp. It was as if the doll had come to life, fueled by malevolent energy.


With a surge of strength, Violet managed to break free and threw the doll across the room. It landed with a thud against the wall, and for a moment, she thought she had defeated the cursed object. But as she watched in horror, the doll righted itself and started crawling back towards her, its movements jerky and unnatural.


Terrified, she ran through the mansion, desperately seeking a way to rid herself of the cursed doll. The spirits seemed to be toying with her, closing off every escape route. As the days turned into weeks, Violet's sanity began to slip away, and she could no longer distinguish between reality and nightmare.


Her only solace was the company of a kind groundskeeper named Mr. Hawthorne, who had worked for the Vandermere family for decades. He noticed the change in Violet and became concerned for her well-being. She confided in him about the cursed doll and the haunting experiences she endured.


Mr. Hawthorne had heard the legends about the haunted doll, and he knew that the only way to break the curse was to return it to its original resting place within the mansion. Together, they hatched a plan to venture into the forbidden depths of the mansion and find the room where the doll had been hidden for so long.


The night they decided to confront the curse was darker than ever, and the storm raged with fury outside. Armed with candles and their resolve, they made their way through the maze-like corridors, haunted by the whispers and shadows that seemed to follow them.


Finally, they reached the room where the cursed doll had been found. But as they approached, the door slammed shut, sealing them inside. The doll sat on a dusty shelf, its eyes once again glowing with malevolence.


Mr. Hawthorne instructed Violet to place the doll back where she had found it and to apologize for disturbing the spirits. With trembling hands, she did as he said, but the moment her fingers touched the doll, it sprang to life once more, leaping out of her grasp.


In a last desperate attempt, Mr. Hawthorne recited an incantation he had learned from the town's oldest residents. The room was filled with an eerie light, and a powerful gust of wind seemed to suck the energy out of the doll. Slowly, the cursed object returned to its lifeless state, and the room fell silent.


The door opened, and they were free to leave. Exhausted and shaken, Violet and Mr. Hawthorne emerged from the mansion, vowing never to return. The cursed doll had been subdued, but the experience left its mark on both of them. Violet, grateful for her life, left the town to start anew, far away from the haunting memories of the old mansion.


As for the doll, Mr. Hawthorne sealed it away in a secret chamber deep within the mansion, never to be disturbed again. The mansion remained abandoned, its dark secrets hidden from the world, and the legend of the haunted doll faded into obscurity.


But some say that late at night, when the wind howls through the empty halls of the old mansion, a faint giggle can be heard, and the shadows seem to come alive once more. The spirits of the Vandermere ancestors continue to haunt the estate, and the cursed doll still lurks in the shadows, waiting for another unfortunate soul to set it free.

The Whispering Road

The night was dark and stormy, the rain coming down in sheets, obscuring visibility on the desolate highway. Marianne was driving alone, her grip on the steering wheel tightening with every flash of lightning that illuminated the empty road. The radio crackled with eerie static, leaving her alone with the unsettling hum of the engine and the pounding rain on the roof.


Feeling uneasy, Marianne glanced at the fuel gauge, realizing she was dangerously low on gas. Her heart sank; the next gas station was miles away, and she couldn't risk getting stranded in this desolate stretch of road. Just as desperation started to set in, she saw a figure in the distance, their thumb outstretched, signaling for a ride.


Relief washed over Marianne as she slowed down, pulling over to pick up the hitchhiker. As the figure approached, she could make out a young woman, her clothes soaked from the rain. Marianne hesitated for a moment, considering the risks of picking up a stranger in this weather, but her compassionate nature won out, and she unlocked the doors.


The hitchhiker climbed into the car, offering a weak smile. "Thank you for stopping. It's a terrible night to be out there."


Marianne smiled back, trying to ignore the unsettling feeling that crept up her spine. "No problem. Where are you headed?"


"Just a few miles up the road, to the next town. My name's Emily, by the way," the hitchhiker said, extending a hand.


"Marianne," she replied, shaking Emily's hand. "You're lucky I found you; there's no one else on the road tonight."


As they drove, Marianne attempted to make small talk, but Emily remained reserved, almost distant. She seemed lost in thought, her gaze fixed on the rain-drenched window. Something about her demeanor set Marianne on edge, but she tried to dismiss her growing unease as mere nerves from the weather.


After a while, Emily suddenly spoke up. "Can I ask you for a favor, Marianne?"


"Of course, what do you need?" Marianne replied, glancing at her briefly.


"I have this locket, a family heirloom. It's precious to me, but it broke earlier, and I'm worried I'll lose it. Could you take a look at it and see if you can fix it?" Emily asked, her voice tinged with anxiety.


"Sure, let me see it," Marianne said, her curiosity piqued. Emily handed her a small, ornate locket, its surface cool to the touch. Marianne carefully inspected it, noting the delicate engravings and the tiny gemstone in the center. It seemed fixable, just a matter of reconnecting the chain.


"I think I can mend this for you," Marianne said, offering a reassuring smile. "Don't worry; I'll take care of it."


"Thank you," Emily whispered, her eyes seemingly glimmering in the dim light of the car.


They continued driving in silence, the rain still pounding relentlessly. The darkness outside seemed to grow thicker, and Marianne found herself gripping the steering wheel tighter than before. Emily's presence was becoming increasingly unsettling, and Marianne couldn't shake the feeling that something was off.


As they approached the next town, Marianne decided to break the silence. "Here we are. I'll drop you off wherever you need to go."


Emily turned to face Marianne, and her smile now seemed almost sinister. "You've been very kind, Marianne, but I'm afraid I can't let you leave just yet."


Marianne's heart raced, her instincts screaming at her to get away from this stranger. "What do you mean? Let me out of the car."


Emily's eyes bore into Marianne's, and Marianne could swear she saw something unnatural flickering within them. "I can't let you leave, not until you fix the locket."


Fear gripped Marianne as she realized that Emily wasn't just any hitchhiker. There was something otherworldly about her, and the locket she held in her hand seemed to possess a dark power.


"Please, I'll fix it. Just let me go," Marianne pleaded, her voice trembling.


But Emily's gaze was unyielding. "Fix it now!"


Terrified, Marianne focused on the broken locket, her trembling hands working to reconnect the chain. With each second that passed, the car seemed to grow colder, and Marianne's breath came out in white puffs.


Finally, she managed to repair the locket, and as she handed it back to Emily, a strange calm washed over her. Emily's sinister smile turned into a warm one as she thanked Marianne. "You've done well. Now, you can go."


Relieved, Marianne wasted no time, practically leaping out of the car. As she ran toward the town, she glanced back at Emily, who had already vanished into the darkness. Marianne couldn't shake the feeling that she had just narrowly escaped something malevolent.


Shaken but determined to put the horrifying encounter behind her, Marianne entered the town. However, the events of that night were far from over. As she asked around for a gas station, the locals' faces turned pale when she mentioned picking up a hitchhiker.


"You shouldn't have stopped," an old woman warned her, crossing herself. "The Whispering Road claims those who show kindness to its spirits."


"The Whispering Road?" Marianne asked, confused.


The old woman nodded solemnly. "A long time ago, this highway was used for nefarious purposes. People would be lured by spirits who would disguise themselves as hitchhikers. Those who stopped for them were never seen again."


Shivers ran down Marianne's spine as she realized the gravity of her encounter. The locket must have been a cursed object, and Emily, a malevolent spirit, had trapped her with it. Marianne couldn't help but wonder what sinister fate awaited those who failed to fulfill Emily's demands.


With a full tank of gas, Marianne got back into her car and left the town, determined to put as much distance between herself and The Whispering Road as possible. She glanced at the repaired locket, feeling a strange connection to the cursed object.


Days turned into weeks, and Marianne struggled to put the encounter behind her. However, it seemed that Emily's spirit had latched onto her. Wherever she went, a faint whispering followed her, a haunting melody that echoed through her nightmares.


As the days passed, Marianne grew increasingly weary, unable to escape the suffocating presence of Emily's spirit. Sleep became a distant luxury, and her sanity teetered on the edge.


Finally, driven to desperation, Marianne sought help from a local paranormal expert. Dr. Leonard Ashcroft was renowned for his knowledge of supernatural phenomena, and he had encountered his fair share of malevolent spirits.


Marianne recounted her terrifying encounter on The Whispering Road, and Dr. Ashcroft listened intently. "You have encountered an ancient spirit, bound to a cursed object. The locket you repaired holds her essence, and her spirit is now connected to you."


"Can you help me get rid of her?" Marianne pleaded.


Dr. Ashcroft nodded gravely. "There is a way, but it won't be easy. We must find a


 way to release Emily's spirit from the locket and then perform a ritual to send her back to where she belongs."


Determined to free herself from Emily's haunting presence, Marianne embarked on a perilous journey with Dr. Ashcroft. They traveled to remote locations, seeking clues to undo the curse that had befallen her.


As they delved deeper into the mysteries of The Whispering Road, they uncovered dark secrets of forgotten rituals and malevolent spirits that haunted the highway for centuries. Marianne's connection to the locket grew stronger, and she found herself experiencing fragments of Emily's tragic past—her lonely existence, her desires for revenge, and the twisted events that led to her becoming a vengeful spirit.


The closer they came to unraveling the truth, the more intense the haunting became. Emily's whispers turned into malicious threats, and Marianne's grip on reality began to waver. But she knew that the only way to free herself was to confront the malevolent spirit head-on.


In a chilling climax, Marianne and Dr. Ashcroft performed a daring ritual on The Whispering Road itself, invoking ancient powers to release Emily's spirit. The locket glowed with a sinister light as Emily's form emerged, her rage and anguish palpable.


But in an unexpected twist, Marianne's empathy shone through. Rather than condemning Emily, she offered her forgiveness and understanding, acknowledging the pain that bound the spirit to the locket. Emily's anger wavered as she stared into Marianne's eyes, and for a moment, the two women shared a profound connection.


With a final burst of energy, the locket shattered, and Emily's spirit dissipated into the night. The haunting whispers ceased, and peace finally returned to Marianne's life.


As Marianne and Dr. Ashcroft parted ways, she reflected on the harrowing experience that changed her forever. The horrors of The Whispering Road had shown her the darkness that could consume a person's soul and the strength of compassion to set it free.


Though the road ahead would never be the same, Marianne knew she would carry the memory of that stormy night and the hitchhiker's curse with her for the rest of her life. And when she drove past The Whispering Road, she couldn't help but listen for the faint echoes of that haunting melody, a reminder of the darkness she had faced and the light that had ultimately triumphed.

Thursday, July 14, 2022

Selfies

 In one of the last pictures, I am running. I am running down the street and it is dark, the street lamps are dim and the light oozes down sickly and yellow. I can feel my heart almost bursting in my chest, the taste of something sour and unpleasant in my mouth. I’m running as fast as I can. I have to get away.

The moon is a sickle moon. Its cheek is pockmarked with acne scars. It looks down on me; it hangs overhead like a malformed knife. They’re running behind me and they’re gaining. They’re not even running hard. They spread out around me, they match their pace to mine, easily, without effort. They whisper my name: Ellie, Ellie. Just ahead is the rusty iron gate to the old playground. I used to play on the swings when I was a little girl. They crowd me here. I don’t know if kids still use the swings. I stumble through the gate and into the playground. I just have to keep running but I take a picture then, I can’t help it, I take a picture and it’s just me and the gate and that sickle moon, and no one at all behind me.


“I heard this story about a girl who went mad a few months ago.”

“What girl?”

“Her name was Ellie and she was in my year at school. I didn’t see much of her after that until they found her dead at the bottom of the old playground down my street one night, a few months ago.”

“Oh, I’m really sorry.”

“It’s all right, I really didn’t know her that well. What was funny was, when I saw her, it was only for a moment before they zipped up the bag and took her away. It was her face, see. It was the scariest thing I ever saw, her face. Here, look. Just before they zipped her up I took a photo. Look.”

“. . . That’s disgusting!”

“I didn’t put it on Facebook or anything.”

“Are those eyes?”

“. . .”

“What is she doing with her mouth?”

“I think she’s screaming. She was still holding her phone when they found her, even though she was broken up pretty bad. My cousin Dan works in the lab and he said there were thousands of pictures on her phone. Thousands and thousands.”

“. . .”

“He said the police could construct her last few months almost moment by moment following the pictures. They were mostly selfies. But some of them were pretty weird. Dan said maybe someone Photoshopped them. After a while, they didn’t even make sense.”

“That’s pretty vain, though.”

“I guess.”

“. . .”

“You know what the really weird thing was, though?”

“What?”

“A couple of days later I was in the supermarket and I thought I saw her. She was standing in the aisle by the cereal shelves and she was talking on her phone. She was holding a box of Crunchy Nuts. I had this really queasy feeling when I saw her. I mean it couldn’t be here, right? Then it was, like, she knew I was standing there and she turned and she gave me this smile. She had these uneven white teeth and she had her hair in this sort of fringe. She used to be really pretty. But when she turned she looked directly at me, I noticed something about her eyes. They were like eggshells, without pupils or an iris, they were just entirely white and empty and flat and she smiled.”

“You’re making it up.”

“I had a can of Coke in my hand and it fell down and burst open, and there was a mess. When I looked up again she’d disappeared.”

“Did you pay for the Coke?”

“Yeah, I paid for the Coke. They buried her a few days later. I didn’t go to the funeral. I mean, like I said, I never really knew her all that well, anyway.


This is right after I buy the phone. The shop behind me has a sign that says previously owned. I don’t know if that is its name or just a description, but it is accurate all the same. I’d gone to the mall, just browsing. At the back of the lower level, all the way back, the shops turn dusty and dark. There’s a baby clothes store that hasn’t seen a baby in years, a shop for vegan supplies, and a video store that’s permanently shut. I’d not noticed this particular shop before. I go in and it’s filled with strange objects and all sorts of knickknacks, weird clockwork devices and creepy voodoo dolls, and paintings of grotesque creatures like something on the cover of a paperback. At first, I don’t see anyone in the shop but then I hear a cough, and this weird old guy with a long, horse-like face and pale watery eyes, appears behind the counter, almost like he’d just been somehow cut out of the shadows and given form and pushed into the light, and he coughs again and says, “Can I help you, miss?”

I say, “I’m just browsing,” and I see his face frown in displeasure and it makes me feel uncomfortable.

“You’re very pretty,” he says suddenly, and I think I blush, and I shrug a little awkwardly. “No, no, really,” he says.

“Thank you,” I say.

“Here,” he says. He brings something out from behind the counter and it’s so startling in the shop among all the old and dusty objects: it’s a brand new phone. “Do you have one?” he says.

“A phone?”

“A phone like this one.”

“No, no,” I say. “I just have this old thing.”

“Then take this one,” he says. “From me.”

“You mean, for free?”

“No,” he says, and looks at me like I’m dim. “Of course not. I don’t run a charity here.”

“Oh. I mean . . .”

“Very cheap,” he says, and he pushes the phone at me aggressively. “Take it. Take it!”

He scares me so I take it but as soon as I hold the phone I feel better. It feels so smooth and warm, and it fits snugly into my palm. I swipe across the screen and the icons blink back at me. I barely hear that awful man when he says the price and like in a dream I take out some money and give it to him. He said I was pretty but I guess I never thought of myself as pretty. I mean, I didn’t give it much thought one way or another. I step out of the shop and suddenly there is light around me, and air. My finger itches. I hold up the phone in front of me and press the camera button and it’s like something in me wakes up for the first time and something inside me dies—I can’t describe it. I don’t need to. I press the button and there’s the image, instead.

In the last picture, I’m dead.

The funny thing is, I go back to the spot where the shop was a few days later and there is no sign of it. Here’s me standing with a Cinnabon behind me and the guy behind the counter said it’s been there for the past year. In the picture, I’m biting my lip and looking worried. I had to keep clicking. I had to keep taking pictures, but the pictures were beginning to lie.

“That was amazing, Ellie!” Noah says. He looks hopped up or something. He gives me this beaming smile.

I say, “What are you talking about?”

I snap a picture. Me standing there looking vaguely irritated, in his kitchen. He has petunias on the windowsill. I don’t like the way the light catches them. They look ill, and the sunlight is all blotchy.

“Last night! You were amazing!” Noah says. “I never even . . .” he blushes. “Where did you learn to do that?” he whispers. I push him away, and I can feel the tears coming, even though I don’t want them to, and I say, “But I wasn’t at the party last night, Noah, don’t you remember, I went to the movies with Shelly and I stayed at her place,” and he says, “What?” and his hands drop to his sides and then he smiles and says, “You’re just pulling my leg,” and I burst into tears and he stands there looking confused and then angry, and he approaches me but I push him away and I run up the stairs to his bedroom and see a bed and, pinned to the mirror, a photo, it must have been taken last night and freshly-printed, and I am posing for the camera, one hand doing a peace sign while the other is out of sight, holding the camera. In the picture I am grinning into the camera and my teeth are a predator’s teeth and my eyes are completely blank, there is nothing in them. And I pull the photo from the mirror and tear it up, into tiny pieces that fall to the floor at my feet.


Dinner with Mum and Dad and Noah. We’re all smiling. Noah has his arm around me and he’s grinning stupidly into the camera and so am I. I’m feeling like there’s a fire inside me, burning from the inside out, like light falling on a negative, and it’s reaching everywhere, it’s touching everything with light.

Me in front of the mirror, but the picture is all wrong. This is after I left Noah’s place and went home. I’m crying as I press the button, but I in the mirror am smiling.

This photo’s a little blurry because I’m running. I’m on the street and a man is pursuing me.

Blurry as I turn away from the man, who’s still speaking.

He has a nervous excited voice and he keeps shouting about my phone. We’re both caught in the photo and for a moment his face is both almost erotically excited and incredibly terrified.

A man approaches me in the street but he’s not in the photo. He wants to buy my phone. I can’t really understand what he’s saying. He is tall and thin with a straggly beard and he smells as though he hasn’t washed for a few days. He says his name is Farnsworth and that he’s a collector. He keeps asking me where I got my phone and do I know what it is. I tell him it’s just a phone but he doesn’t really listen. He says something about mimic objects, parasite mechanics, and things that look like other things.

Dark chamber, he keeps saying, dark chamber, a camera obscura. I don’t know what any of it means. I start to turn away from him. I think, from the corner of my eye, I catch my reflection, standing on the street corner, only there is no mirror there.

Someone is standing outside my house under the streetlamp but I don’t dare look.

It’s so quiet. It’s so quiet and nothing moves. Nothing moves but I know it’s there. The silence is like a living thing or the echo of living things. It’s like a dark chamber in my room and the only illumination comes from outside. The light presses against the curtains.

Something is standing outside under the lamp.

I pull back the corner of the curtain and I don’t look out but I take a picture.

In the picture, something with my face is standing outside and it’s looking back at me and it’s smiling.

Someone had slipped an envelope under my door in the night and when I open it I find a piece of paper inside torn from a book. I’m holding it up next to my face. My eyes are puffy. You can just about make out the letters. It says:

The mad Jesuit, Father Alfonse, in his 16th-century manuscript, Umbra Autem Ex Tempore, first wrote of the curious properties of a certain kind of light, or rather shadow, or shadows—it is unclear given sometimes contradictory translations. He wrote the manuscript while incarcerated in a monastery in the bogs of Scotland, where he was held for blasphemy for several years. In it, he describes a device which he claimed to have constructed, a sort of optical instrument or camera obscura, that is to say, a dark chamber, for the capture of such anti-light or shadows, or possibly, in some translations, notably the French Géroux Manuscript of 1653, a soul.

The mad Jesuit committed suicide—or perhaps was killed, the record is obscure—by falling from the top of the monastery to the bogs down below. How he made his way from the stout walls of the cellars that imprisoned him to the top, undetected, is unclear, nor was there any sign of the device found after his death. Though he was eventually found and buried, for many months afterward local peasants reported the unsettling sight of a man answering Father Alfonse’s description being seen far and wide, sometimes amid the night and sometimes, plainly, in the height of the day. But the figure never spoke or, if it had, none had recorded its words.


I don’t know what it means; it’s gibberish.


It’s blurry because my hand is shaking so much and you can’t make out anything.


Farnsworth again. I point the phone at him and he shrieks and runs away before I can take his picture so I take mine instead.

And another

And another.

And another and with each one, I feel better and worse like I am being cut up into a lot of tiny little pieces like bits of me are lost like there is me and me and me and me and another.

Standing in the park in the sunshine with my new phone and I’m so happy and everything is going to be all right.

Me with a crying face. Dark. I have red eyes. It’s night and I’ve just been woken. Farnsworth is outside shouting. An inquiry? is a spirit torn from your soul by a curse, who now lives independently?

In some cultures, they believe that every photo takes away a little bit of your soul.

“I’ll pay you anything!” he says. I can hear a dog barking. “Give it to me!” His voice is so lonely and so desperate. Then the dog stops barking suddenly and Farnsworth gives a high-pitched shriek. I don’t have to look outside to see what he sees.

Outside the supermarket.

I go into the supermarket and I bump into another customer and I mumble, “Sorry,” and then when I look just for a moment she looks back at me and she smiles with my face.

My hand is shaking. A shot of me against supermarket shelves. Shoppers pushing carts loaded with food and cans and cereal. One by one they stop and raise their heads and look up at me. They smile on my face. They have no eyes.

Someone whispers my name: Ellie, Ellie.

I run.

In one of the last pictures, I’m running. The road spreads out ahead of me, and the sleeping suburban homes. The moonlight is sucked into the asphalt. I run, the only sound is the beating of blood in my head. The air is scented with jasmine. Ahead of me is the old playground where we used to play. I don’t look back when I take the picture, but I know they’re there.

Monday, July 11, 2022

Escaped........

The rain was falling heavily. It was like driving through a thick curtain of water. He eased off the accelerator a little. Had to be careful driving on wild nights like these. The last thing you'd want is to have an accident or breakdown. You just want to be at home on these stormy nights. The thwack-thwack of the windscreen wipers was hypnotic. He just stared out into the glow of the headlights. The rain sounded like a white noise interference as it battered the car. He was reminded of the opening scenes of a Hitchcock film.

Through the wash of the rain, he spotted a figure at the side of the road. The person wore a green parka and had their thumb jerked out. Why would anyone be hitchhiking tonight? Surely you would just stay put until the morning. They must have been in a rush to get where they were going and just who was he? And where was he headed?

He signaled down and pulled over. The hitchhiker climbed in. He shut the door quickly, glad to be out of the rain. He pulled his hood back and sighed. He was in his mid-twenties and had wild red hair and a thick beard. 

"Awful night eh?" asked the driver.

The hitchhiker held his gaze for a long moment. Drops of rainwater trickled down his face.

"Yes, yes it is."

The driver pulled out and continued through the storm. The hitcher glanced over his shoulders into the blackness behind them. 

"You okay?"

The hitchhiker simply nodded. They drove in silence for a short while. The BBC radio phone-in blaring out from the car's speakers filled in for the conversation. They listened to the radio and their own thoughts as they moved on. 

"Where are you headed?" asked the driver.

"North." The hitcher pointed.

"Are you traveling to visit friends?" 

"Hmph." 

The driver couldn't tell if that was a yes or a no. He just adjusted his tie nervously. The hitcher stared at him in his suit and tie. The hitcher seemed scruffy in comparison to his parka and Pink Floyd t-shirt. 

"Do you work around here?" asked the hitcher.

"Yes." said the driver. "I was stuck late at the office. You know how it is."

"No, not really." 

Again they drifted into silence. The talk radio show carried on as they drove through the wind and the rain. The hitcher shifted in his seat and stared out the windscreen. 

"No music?" the hitcher asked.

"What?"

"Is there no music we could listen to?"

"I like the talk radio shows. I'm not really a music fan" 

The hitcher's eyes glazed for a moment. Then he spoke.

"I like listening to music. It calms me down." 

The driver said nothing. Several miles later there was a news bulletin on the radio. The writer tried to remain professional as she read the announcement. 

"We are getting reports that a patient has escaped from a Manchester psychiatric institution. The man is said to be psychopathic and is said to have a history of murder."

The hitcher jabbed a finger at the radio panel. Pop music blurted out from the speakers. The driver stared at his passenger, his question unasked.

"I hate the news." answered the hitcher. "It's so depressing. It brings me down. There is never any good news, is there?"

The driver did not reply 

"Don't worry, I'm not the killer." said the hitcher, fidgeting with his coat.

"No?" said the driver. "I mean no, of course, you aren't."

They drove on listening to the crappy pop music and the over-excited radio DJs. The rain pounded on the car. 

"What do you do for a living?" asked the driver. 

The hitcher was quiet for a moment. Then he grinned.

"I'm a writer."

"Really? How interesting. Have you had anything published?"

"No, as yet I'm an undiscovered artist." 

"I'm sure you will make it. What are you working on at the moment?"

"I'm writing a novel."

"Yes?"

"It's about a serial killer."

The driver did not speak. He flicked the talk radio station back on. A man was rambling about the change in his days when his wheelie bins were emptied. 

"Where can I drop you?" asked the driver. 

The hitcher said nothing When the driver glanced around, his passenger had his eyes closed. He was either asleep or feigning slumber.

They drove on through the storm down the snaking lanes. An hour later, the storm still growled and raged. The hitcher looked out of the window, and the driver steered the car in silence. Another news bulletin came over the radio.

" We're getting more information on the escaped patient. The killer's name is Simon Hughes. He escaped from the Green pastures institute earlier this evening. He is extremely dangerous and completely unpredictable. Simon Hughes made his escape by changing from his hospital-issue uniform into a suit and tie and pretending to be of the medical staff. He stole a car and drove off."

The hitcher turned to the driver 

"What do you say your name was?"

" My name is Simon."

The hitcher stared in shock. Simon grinned. The headlights of a passing car glinted off the knife blade in Simon's hand and there was a slashing movement and an unmistakable dripping sound of blood.........  

    

Thursday, June 30, 2022

The Hanging Stranger

 At five o'clock, Ed Loyce washed up, tossed on his hat and coat, got his car out, and headed across town toward his TV sales store. He was tired. His back and shoulders ached from digging dirt out of the basement and wheeling it into the backyard. But for a forty-year-old man, he had done okay. Janet could get a new vase with the money he had saved, and he liked the idea of repairing the foundations himself.

 It was getting dark. The setting sun cast long rays over the scurrying commuters, tired and grim-faced, women loaded down with bundles and packages, students, swarming home from the university, mixing with clerks and businessmen and drab secretaries. He stopped his Packard for a red light and then started it up again. The store had been open without him; he'd arrive just in time to spell the help for dinner, go over the records of the day, maybe even close a couple of sales himself. He drove slowly past the small square of green in the center of the street, the town park. There were no parking places in front of LOYCE TV SALES AND SERVICE. He cursed under his breath and swung the car in a U-turn. Again he passed the little square of green with its lonely drinking fountain and bench and single lamppost.

 From the lamppost, something was hanging. A shapeless dark bundle, swinging a little with the wind. Like a dummy of some sort. Loyce rolled down his window and peered out. What the hell was it? A display of some kind? Sometimes the Chamber of Commerce put up displays in the square.

 Again he made a U-turn and brought his car around. He passed the park and concentrated on the dark bundle. It wasn't a dummy. And if it was a display it was a strange kind. The hackles on his neck rose and he swallowed uneasily. Sweat slid out on his face and hands.

 It was a body. A human body.

 "Look at it!" Loyce snapped. "Come on out here!"

 Don Fergusson came slowly out of the store, buttoning his pin-stripe coat with dignity. "This is a big deal, Ed. I can't just leave the guy standing there."

 "See it?" Ed pointed into the gathering gloom. The lamppost jutted against the sky—the post and the bundle swinging from it. "There it is. How the hell long has it been there?" His voice rose excitedly. "What's wrong with everybody? They just walk on past!"

 Don Fergusson lit a cigarette slowly. "Take it easy, old man. There must be a good reason, or it wouldn't be there."

 "A reason! What kind of a reason?"

 Fergusson shrugged. "Like the time the Traffic Safety Council put that wrecked Buick there. Some sort of civic thing. How would I know?"

 Jack Potter from the shoe shop joined them. "What's up, boys?"

 "There's a body hanging from the lamppost," Loyce said. "I'm going to call the cops."

 "They must know about it," Potter said. "Or otherwise it wouldn't be there."

 "I got to get back in." Fergusson headed back into the store. "Business before pleasure."

 Loyce began to get hysterical. "You see it? You see it hanging there? A man's body! A dead man!" "Sure, Ed. I saw it this afternoon when I went out for coffee."

 "You mean it's been there all afternoon?"

 "Sure. What's the matter?" Potter glanced at his watch. "Have to run. See you later, Ed."

 Potter hurried off, joining the flow of people moving along the sidewalk. Men and women, passing by the park. A few glanced up curiously at the dark bundle—and then went on. Nobody stopped. Nobody paid any attention.

 "I'm going nuts," Loyce whispered. He made his way to the curb and crossed out into traffic, among the cars. Horns honked angrily at him. He gained the curb and stepped up onto the little square of green.

 The man had been middle-aged. His clothing was ripped and torn, a gray suit, splashed and caked with dried mud. A stranger. Loyce had never seen him before. Not a local man. His face was partly turned away, and in the evening wind, he spun a little, turning gently, silently. His skin was gouged and cut. Red gashes, deep scratches of congealed blood. A pair of steel-rimmed glasses hung from one ear, dangling foolishly. His eyes bulged. His mouth was open, tongue thick and ugly blue.

 "For Heaven's sake," Loyce muttered, sickened. He pushed down his nausea and made his way back to the sidewalk. He was shaking all over, with revulsion—and fear.

 Why? Who was the man? Why was he hanging there? What did it mean?

 And—why didn't anybody notice?

 He bumped into a small man hurrying along the sidewalk. "Watch it!" the man grated. "Oh, it's you, Ed."

 Ed nodded dazedly. "Hello, Jenkins."

 "What's the matter?" The stationery clerk caught Ed's aim "You look sick."

 "The body. There in the park."

 "Sure, Ed." Jenkins led him into the alcove of LOYCE TV SALES AND SERVICE. "Take it easy."

 Margaret Henderson from the jewelry store joined them. "Something wrong?"

 "Ed's not feeling well."

 Loyce yanked himself free. "How can you stand here? Don't you see it? For God's sake—" "What's he talking about?" Margaret asked nervously.

 "The body!" Ed shouted. "The body hanging there!"

 More people collected. "Is he sick? It's Ed Loyce. You okay, Ed?"

 "The body!" Loyce screamed, struggling to get past them. Hands caught at him. He tore loose. "Let me go! The police! Get the police!"

 "Ed—"

 "Better get a doctor!"

 "He must be sick."

 "Or drunk."

 Loyce fought his way through the people. He stumbled and half fell. Through a blur, he saw rows of faces, curious, concerned, and anxious. Men and women halted to see what the disturbance was. He fought past them toward his store. He could see Fergusson inside talking to a man, showing him an Emerson TV set. Pete Foley is in the back at the service counter, setting up a new Philon. Loyce shouted at them frantically. His voice was lost in the roar of traffic and the murmuring around him.

 "Do something!" he screamed. "Don't stand there! Do something! Something's wrong! Something's happened! Things are going on!" The crowd melted respectfully for the two heavy-set cops moving efficiently toward Loyce.

 "Name?" the cop with the notebook murmured.

 "Loyce." He mopped his forehead wearily. "Edward C. Loyce. Listen to me. Back there—"

 "Address?" the cop demanded. The police car moved swiftly through traffic, shooting among the cars and buses. Loyce sagged against the seat, exhausted and confused. He took a deep shuddering breath.

 "1368 Hurst Road."

 "That's here in Pikeville?"

 "That's right." Loyce pulled himself up with a violent effort. "Listen to me. Back there. In the square. Hanging from the lamppost—"

 "Where were you today?" the cop behind the wheel demanded.

 "Where?" Loyce echoed.

 "You weren't in your shop, were you?"

 "No." He shook his head. "No, I was home. Down in the basement."

 "In the basement?"

 "Digging. A new foundation. Getting out the dirt to pour a cement frame. Why? What has that to do with—"

 "Was anybody else down there with you?"

 "No. My wife was downtown. My kids were at school." Loyce looked from one heavy-set cop to the other. Hope flickered across his face, wild hope. "You mean because I was down there I missed—the explanation? I didn't get in on it? Like everybody else?" After a pause, the cop with the notebook said: "That's right. You missed the explanation."

 "Then it's official? The body—it's supposed to be hanging there?"

 "It's supposed to be hanging there. For everybody to see."

 Ed Loyce grinned weakly. "Good Lord. I guess I sort of went off the deep end. I thought maybe something had happened. You know, something like the Ku Klux Klan. Some kind of violence. Communists or Fascists taking over." He wiped his face with his breast-pocket handkerchief, his hands shaking. "I'm glad to know it's on the level."

 "It's on the level." The police car was getting near the Hall of Justice. The sun had set. The streets were gloomy and dark. The lights had not yet come on.

 "I feel better," Loyce said. "I was pretty excited there, for a minute. I guess I got all stirred up. Now that I understand, there's no need to take me in, is there?"

 The two cops said nothing.

 "I should be back at my store. The boys haven't had dinner. I'm all right, now. No more trouble. Is there any need of—" "This won't take long," the cop behind the wheel interrupted. "A short process. Only a few minutes."

 "I hope it's short," Loyce muttered. The car slowed down for a stoplight. "I guess I sort of disturbing the peace. Funny, getting excited like that and—"

 Loyce yanked the door open. He sprawled out into the street and rolled to his feet. Cars were moving all around him, gaining speed as the light changed. Loyce leaped onto the curb and raced among the people, burrowing into the swarming crowds. Behind him, he heard sounds, snouts, and people running.

 They weren't cops. He had realized that right away. He knew every cop in Pikeville. A man couldn't own a store, or operate a business in a small town for twenty-five years without getting to know all the cops.

 They weren't cops—and there hadn't been any explanation. Potter, Fergusson, Jenkins, none of them knew why it was there. They didn't know—and they didn't care. That was the strange part.

 Loyce ducked into a hardware store. He raced toward the back, past the startled clerks and customers, into the shipping room, and through the back door. He tripped over a garbage can and ran up a flight of concrete steps. He climbed over a fence and jumped down on the other side, gasping and panting.

 There was no sound behind him. He had got away.

 He was at the entrance of an alley, dark and strewn with boards and ruined boxes and tires. He could see the street at the far end. A street light wavered and came on. Men and women. Stores. Neon signs. Cars.

 And to his right—the police station.

 He was close, terribly close. Past the loading platform of a grocery store rose the white concrete side of the Hall of Justice. Barred windows. The police antenna. A great concrete wall rose up in the darkness. A bad place for him to be near. He was too close. He had to keep moving, get farther away from them.

 Them?

 Loyce moved cautiously down the alley. Beyond the police station was the City Hall, the old-fashioned yellow structure of wood and gilded brass and broad cement steps. He could see the endless rows of offices, dark windows, cedars, and beds of flowers on each side of the entrance.

 And—something else.

 Above the City Hall was a patch of darkness, a cone of gloom denser than the surrounding night. A prism of black that spread out and was lost into the sky.

 He listened. Good God, he could hear something. Something that made him struggle frantically to close his ears, his mind, to shut out the sound. A buzzing. A distant, muted hum like a great swarm of bees.

 Loyce gazed up, rigid with horror. The splotch of darkness hung over the City Hall. Darkness so thick it seemed almost solid. In the vortex, something moved. Flickering shapes. Things, descending from the sky, pausing momentarily above the City Hall, fluttering over it in a dense swarm, and then dropping silently onto the roof.

 Shapes. Fluttering shapes from the sky. From the crack of darkness that hung above him. He saw—them.

 For a long time, Loyce watched, crouched behind a sagging fence in a pool of scummy water.

 They were landing. Coming down in groups, landing on the roof of the City Hall and disappearing inside. They had wings. Like giant insects of some kind. They flew and fluttered and came to rest—and then crawled crab-fashion, sideways, across the roof and into the building.

 He was sickened. And fascinated. The cold night wind blew around him and he shuddered. He was tired, dazed with shock. On the front steps of the City Hall were men, standing here and there. Groups of men came out of the building and halted for a moment before going on.

 Were there more of them?

 It didn't seem possible. What he saw descending from the black chasm weren't men. They were aliens—from some other world, some other dimension. Sliding through this slit, this break in the shell of the universe. Entering through this gap, winged insects from another realm of being.

 On the steps of the City Hall, a group of men broke up. A few moved toward a waiting car. One of the remaining shapes started to re-enter the City Hall. It changed its mind and turned to follow the others.

 Loyce closed his eyes in horror. His senses reeled. He hung on tight, clutching at the sagging fence. The shape, the man-shape, had abruptly fluttered up and flapped after the others. It flew to the sidewalk and came to rest among them.

 Pseudo-men. Imitation men. Insects with the ability to disguise themselves as men. Like other insects familiar to Earth. Protective coloration. Mimicry.

 Loyce pulled himself away. He got slowly to his feet. It was night. The alley was totally dark. But maybe they could see in the dark. Maybe darkness made no difference to them.

 He left the alley cautiously and moved out onto the street. Men and women flowed past, but not so many, now. At the bus stops stood waiting groups. A huge bus lumbered along the street, its lights flashing in the evening gloom.

 Loyce moved forward. He pushed his way among those waiting and when the bus halted he boarded it and took a seat in the rear, by the door. A moment later the bus moved into life and rumbled down the street.

 Loyce relaxed a little. He studied the people around him. Dulled, tired faces. People going home from work. Quite ordinary faces. None of them paid any attention to him. All sat quietly, sunk down in their seats, jiggling with the motion of the bus. The man sitting next to him unfolded a newspaper. He began to read the sports section, his lips moving. An ordinary man. Blue suit. Tie. A businessman, or a salesman. On his way home to his wife and family.

 Across the aisle a young woman, perhaps twenty. Dark eyes and hair, a package on her lap. Nylons and heels. Red coat and white Angora sweater. Gazing absently ahead of her.

 A high school boy in jeans and a black jacket.

 A great triple-chinned woman with a huge shopping bag loaded with packages and parcels. Her thick face dim with weariness. Ordinary people. The kind that rode the bus every evening. Going home to their families. To dinner.

 Going home—with their minds dead. Controlled, filmed over with the mask of an alien being that had appeared and taken possession of them, their town, their lives. Himself, too. Except he happened to be deep in his cellar instead of in the store. Somehow, he had been overlooked. They had missed him. Their control wasn't perfect, foolproof.

 Maybe there were others.

 Hope flickered in Loyce. They weren't omnipotent. They had made a mistake, not got control of him. Their net, their field of control, had passed over him. He had emerged from his cellar as he had gone down. Apparently, their power zone was limited. A few seats down the aisle a man was watching him. Loyce broke off his chain of thought. A slender man, with dark hair and a small mustache. Well-dressed, brown suit and shiny shoes. A book in his small hands. He was watching Loyce, studying him intently. He turned quickly away.

 Loyce tensed. One of them? Or—another they had missed?

 The man was watching him again. Small dark eyes, alive and clever. Shrewd. A man too shrewd for them—or one of the things itself, an alien insect from beyond.

 The bus halted. An elderly man got on slowly and dropped his token into the box. He moved down the aisle and took a seat opposite Loyce.

 The elderly man caught the sharp-eyed man's gaze. For a split second, something passed between them. A look rich with meaning.

 Loyce got to his feet. The bus was moving. He ran to the door. One step down into the well. He yanked the emergency door release. The rubber door swung open.

 "Hey!" the driver shouted, jamming on the brakes. "What the hell—?"

 Loyce squirmed through. The bus was slowing down. Houses on all sides. A residential district, lawns, and tall apartment buildings. Behind him, the bright-eyed man had leaped up. The elderly man was also on his feet. They were coming after him. Loyce leaped. He hit the pavement with terrific force and rolled against the curb. Pain lapped over him. Pain and a vast tide of blackness. Desperately, he fought it off. He struggled to his knees and then slid down again. The bus had stopped. People were getting off.

 Loyce groped around. His fingers closed over something. A rock, lying in the gutter. He crawled to his feet, grunting with pain. A shape loomed before him. A man, the bright-eyed man with the book.

 Loyce kicked. The man gasped and fell. Loyce brought the rock down. The man screamed and tried to roll away. "Stop! For God's sake listen—"

 He struck again. A hideous crunching sound. The man's voice cut off and dissolved in a bubbling wail. Loyce scrambled up and back. The others were there, now. All around him. He ran, awkwardly, down the sidewalk, up a driveway. None of them followed him. They had stopped and were bending over the inert body of the man with the book, the bright-eyed man who had come after him.

 Had he made a mistake?

 But it was too late to worry about that. He had to get out—away from them. Out of Pikeville, beyond the crack of darkness, the rent between their world and his.

 "Ed!" Janet Loyce backed away nervously. "What is it? What—"

 Ed Loyce slammed the door behind him and came into the living room. "Pull down the shades. Quick." Janet moved toward the window. "But—"

 "Do as I say. Who else is here beside you?"

 "Nobody. Just the twins. They're upstairs in their room. What's happened? You look so strange. Why are you home?"

 Ed locked the front door. He prowled around the house, into the kitchen. From the drawer under the sink, he slid out the big butcher knife and ran his finger along with it. Sharp. Plenty sharp. He returned to the living room.

 "Listen to me," he said. "I don't have much time. They know I escaped and they'll be looking for me."

 "Escaped?" Janet's face twisted with bewilderment and fear. "Who?"

 "The town has been taken over. They're in control. I've got it pretty well figured out. They started at the top, at the City Hall and police department. What they did with the real humans they—"

 "What are you talking about?"

 "We've been invaded. From some other universe, some other dimension. They're insects. Mimicry. And more. Power to control minds. Your mind."

 "My mind?"

 "Their entrance is here, in Pikeville. They've taken over all of you. The whole town—except me. We're up against an incredibly powerful enemy, but they have their limitations. That's our hope. They're limited! They can make mistakes!" Janet shook her head. "I don't understand, Ed. You must be insane."

 "Insane? No. Just lucky. If I hadn't been down in the basement I'd be like all the rest of you." Loyce peered out the window. "But I can't stand here talking. Get your coat."

 "My coat?"

 "We're getting out of here out of Pikeville. We've got to get help. Fight this thing. They can be beaten. They're not infallible. It's going to be close—but we may make it if we hurry. Come on!" He grabbed her arm roughly. "Get your coat and call the twins. We're all leaving. Don't stop to pack. There's no time for that."

 White-faced, his wife moved toward the closet and got off her coat. "Where are we going?"

 Ed pulled open the desk drawer and spilled the contents out onto the floor. He grabbed up a road map and spread it open. "They'll have the highway covered, of course. But there's a back road. To Oak Grove. I got onto it once. It's practically abandoned. Maybe they'll forget about it."

 "The old Ranch Road? Good Lord—it's completely closed. Nobody's supposed to drive over it."

 "I know." Ed thrust the map grimly into his coat. "That's our best chance. Now call down the twins and let's get going. Your car is full of gas, isn't it?"

 Janet was dazed.

 "The Chevy? I had it filled up yesterday afternoon." Janet moved toward the stairs. "Ed, I—"

 "Call the twins!" Ed unlocked the front door and peered out. Nothing stirred. No sign of life. All right so far.

 "Come on downstairs," Janet called in a wavering voice. "We're—going out for a while."

 "Now?" Tommy's voice came.

 "Hurry up," Ed barked. "Get down here, both of you."

 Tommy appeared at the top of the stairs. "I was doing my homework. We're starting fractions. Miss Parker says if we don't get this done—"

 "You can forget about fractions." Ed grabbed his son as he came down the stairs and propelled him toward the door. "Where's Jim?"

 "He's coming."

 Jim started slowly down the stairs. "What's up, Dad?"

 "We're going for a ride."

 "A ride? Where?"

 Ed turned to Janet. "We'll leave the lights on. And the TV set. Go turn it on." He pushed her toward the set. "So they'll think we're still—"

 He heard the buzz. And dropped instantly, the long butcher knife out. Sickened, he saw it coming down the stairs at him, wings a blur of motion as it aimed itself. It still bore a vague resemblance to Jimmy. It was small, a baby one. A brief glimpse—the thing hurtling at him, cold, multi-lensed inhuman eyes. Wings, the body still clothed in yellow T-shirt and jeans, the mimic outline still stamped on it. A strange half-turn of its body as it reached him. What was it doing?

 A stinger.

 Loyce stabbed wildly at it. It retreated, buzzing frantically. Loyce rolled and crawled toward the door. Tommy and Janet stood still as statues, faces blank. Watching without expression. Loyce stabbed again. This time the knife connected. The thing shrieked and faltered. It bounced against the wall and fluttered down.

 Something lapped through his mind. A wall of force, energy, an alien mind probing into him. He was suddenly paralyzed. The mind entered his own, touched against him briefly, shockingly. An utter alien presence, settling over him—and then it flickered out as the thing collapsed in a broken heap on the rug.

 It was dead. He turned it over with his foot. It was an insect, a fly of some kind. Yellow T-shirt, jeans. His son Jimmy... He closed his mind tight. It was too late to think about that. Savagely he scooped up his knife and headed toward the door. Janet and Tommy stood stone-still, neither of them moving.

 The car was out. He'd never get through. They'd be waiting for him. It was ten miles on foot. Ten long miles over rough ground, galleys, open fields, and hills of the uncut forest. He'd have to go alone.

 Loyce opened the door. For a brief second, he looked back at his wife and son. Then he slammed the door behind him and raced down the porch steps.

 A moment later he was on his way, hurrying swiftly through the darkness toward the edge of town.

 The early morning sunlight was blinding. Loyce halted, gasping for breath, swaying back and forth. Sweat ran down his eyes. His clothing was torn, shredded by the brush and thorns through which he had crawled. Ten miles—on his hands and knees. Crawling, creeping through the night. His shoes were mud-caked. He was scratched and limping, utterly exhausted. But ahead of him lay Oak Grove.

 He took a deep breath and started down the hill. Twice he stumbled and fell, picking himself up and trudging on. His ears rang. Everything receded and wavered. But he was there. He had got out, away from Pikeville.

 A farmer in a field gaped at him. From a house, a young woman watched in wonder. Loyce reached the road and turned onto it. Ahead of him was a gasoline station and a drive-in. A couple of trucks, some chickens pecking in the dirt, a dog tied with a string.

 The white-clad attendant watched suspiciously as he dragged himself up to the station. "Thank God." He caught hold of the wall. "I didn't think I was going to make it. They followed me most of the way. I could hear them buzzing. Buzzing and flitting around behind me."

 "What happened?" the attendant demanded. "You in a wreck? A holdup?"

 Loyce shook his head wearily. "They have the whole town. The City Hall and the police station. They hung a man from the lamppost. That was the first thing I saw. They've got all the roads blocked. I saw them hovering over the cars coming in. About four this morning I got beyond them. I knew it right away. I could feel them leave. And then the sun came up."

 The attendant licked his lip nervously. "You're out of your head. I better get a doctor."

 "Get me into Oak Grove," Loyce gasped. He sank down to the gravel. "We've got to get started—cleaning them out. Got to get started right away."

 They kept a tape recorder going all the time he talked. When he had finished the Commissioner snapped off the recorder and got to his feet. He stood for a moment, deep in thought. Finally, he got out his cigarettes and lit up slowly, a frown on his beefy face.

 "You don't believe me," Loyce said.

 The Commissioner offered him a cigarette. Loyce pushed it impatiently away. "Suit yourself." The Commissioner moved over to the window and stood for a time looking out at the town of Oak Grove. "I believe you," he said abruptly.

 Loyce sagged. "Thank God."

 "So you got away." The Commissioner shook his head. "You were down in your cellar instead of at work. A freak chance. One in a million."

 Loyce sipped some of the black coffee they had brought him. "I have a theory," he murmured.

 "What is it?"

 "About them. Who they are. They take over one area at a time. Starting at the top—the highest level of authority. Working down from there in a widening circle. When they're firmly in control they go on to the next town. They spread, slowly, very gradually. I think it's been going on for a long time."

 "A long time?"

 "Thousands of years. I don't think it's new."

 "Why do you say that?"

 "When I was a kid... A picture they showed us in Bible League. A religious picture—an old print. The enemy gods were defeated by Jehovah. Moloch, Beelzebub, Moab, Baalin, Ashtaroth—"

 "So?"

 "They were all represented by figures." Loyce looked up at the Commissioner. "Beelzebub was represented as—a giant fly."

 The Commissioner grunted. "An old struggle."

 "They've been defeated. The Bible is an account of their defeats. They make gains—but finally, they're defeated."

 "Why defeated?"

 "They can't get everyone. They didn't get me. And they never got the Hebrews. The Hebrews carried the message to the whole world. The realization of the danger. The two men on the bus. I think they understood. Had escaped, like I did." He clenched his fists. "I killed one of them. I made a mistake. I was afraid to take a chance."

 The Commissioner nodded. "Yes, they undoubtedly had escaped, as you did. Freak accidents. But the rest of the town was firmly in control." He turned from the window, "Well, Mr. Loyce. You seem to have figured everything out."

 "Not everything. The hanging man. The dead man hanging from the lamppost. I don't understand that. Why? Why did they deliberately hang him there?"

 "That would seem simple." The Commissioner smiled faintly. "Bait."

 Loyce stiffened. His heart stopped beating. "Bait? What do you mean?"

 "To draw you out. Make you declare yourself. So they'd know who was under control—and who had escaped."

 Loyce recoiled with horror. "Then they expected failures! They anticipated—" He broke off. "They were ready with a trap." "And you showed yourself. You reacted. You made yourself known." The Commissioner abruptly moved toward the door. "Come along, Loyce. There's a lot to do. We must get moving. There's no time to waste."

 Loyce started slowly to his feet, numbed. "And the man. Who was the man? I had never seen him before. He wasn't a local man. He was a stranger. All muddy and dirty, his face cut, slashed—"

 There was a strange look on the Commissioner's face as he answered, "Maybe," he said softly, "you'll understand that, too. Come along with me, Mr. Loyce." He held the door open, his eyes gleaming. Loyce caught a glimpse of the street in front of the police station. Policemen, a platform of some sort. A telephone pole—and a rope! "Right this way," the Commissioner said, smiling coldly.

 As the sun set, the vice-president of the Oak Grove Merchants' Bank came up out of the vault, threw the heavy time locks, put on his hat and coat, and hurried outside onto the sidewalk. Only a few people were there, hurrying home to dinner.

 "Good night," the guard said, locking the door after him.

 "Good night," Clarence Mason murmured. He started along the street toward his car. He was tired. He had been working all day down in the vault, examining the layout of the safety deposit boxes to see if there was room for another tier. He was glad to be finished.

 At the corner, he halted. The street lights had not yet come on. The street was dim. Everything was vague. He looked around—and froze.

 Something large and shapeless hung from the telephone pole in front of the police station. It moved a little with the wind. What the hell was it?

 Mason approached it warily. He wanted to get home. He was tired and hungry. He thought of his wife, his kids, and a hot meal on the dinner table. But there was something about the dark bundle, something ominous and ugly.

 The light was bad; he couldn't tell what it was. Yet it drew him on, made him move closer for a better look. The shapeless thing made him uneasy. He was frightened by it. Frightened—and fascinated.

 And the strange part was that nobody else seemed to notice it.